08

Oakley

Prisme

EYEWEAR

Sport eyewear is usually filmed from the outside. We put the camera where the lens is: the mountain arrives already tinted, already sharpened, and the product never has to be explained.

Client
Oakley — Global
Year
2025
Format
Film 40″ · Cutdowns 20″ / 6″ · Social 9:16

Approach

Two units — one on the runner, one flying the same line thirty seconds ahead. The prism breaks were shot in camera on a rotating rig; nothing in the film is a flare added afterwards.

Services

  • Creative Direction
  • Film Production
  • Cinematography
  • CGI & VFX
  • Colour Grading

Credits

Direction
Sofia Almeida
Photography
Anaïs Delacroix
Aerial Unit
Maison Cardinal
Edit
Léa Marchand
Colour
Julien Ferrand
Sound
Studio Grisaille

Oakley — Prisme · L’Ombre

A note on this piece

L’Ombre isn’t a real studio.

It’s a demonstration of custom design and engineering — the work is spec, and the brands shown belong to their owners.

If you’d like something built to this standard, end to end: